In describing the aim of the actor’s art Zeami (ca. 1363-1443) used metaphors like “flower” (hana) and “sublime grace” (yūgen). Indeed, expression through metaphor informs much of nō expression, from the poetic texts to the minimalist, imagistic movement to the simple, framework properties. Conventions inform both the literature and performance of nō. The formalized structure and bare stage allow for fluid indication of time and place, while the use of masks and mask-like “neutral” facial expression in combination with rules for costuming transcend realism and capture an essence. Explanations, ramifications and examples of nō aesthetics can be found on the pages listed below.
- Costumes
- Fans
- Figure Drawings
- Mask making
- Masks
- Narratives
- Play structures
- Repertory categorization
- Role of stage properties
- Stage structure
- The nōgakudō
Contributor: Monica Bethe